Friday, May 9, 2014

Ask SD Tracy Harper #7

Ask SD Tracy Harper #7
All questions are anonymous. If you know who is asking the question and wish to leave a comment, please respect their rights to remain anonymous.



Q: SD, What are the best (worst) characteristics of a good, bad guy?


A: The best characteristics would be their ability to stir an emotion.  I know that’s a very open answer, but if your villain, bad guy, or antagonist isn’t the type of character that you would love to hate, than they may end up your hero or the anti-hero your readers may end up cheering.  Now if that (happy mistake) happens, you may end up getting demands for a prequel or the next installment in the series may end up with him or her in the lead role. According to the type of story you’re pinning, and the direction you wish to guide the reader, it will always dictate both sides (good and bad) on what is necessary to captivate the readers attentions. As for me (my personal taste), best friends and those who are picked on or overlooked make the best opponent or rival of the hero or leading character. 



Q:  SD, why is it that some books make bad TV shows  or movies?



A: There are so many answers to that question that I don’t know where to begin. I guess at the beginning is the best place to start. What books are chosen to be presented in a different format is for one reason and for one reason above all, and that is making money.  If a book is widely popular it only stands to reason that making a move based on it will have a built in initial audience. Next comes the pre-production where all the pieces to the puzzle have to fit as well as possible. (Let me make this perfectly clear, nothing is perfect but can be seen as so when large box-office receipts or awards are counted.)  During this facet, who directs, who writes the script adaptation, who acts in it, who is the cinematographer, who design the set, who writes the music, who designs the wardrobe, and all the others who’s you could possibly think of.  And guess what, the movie or TV show has yet to begin shooting. However, the only judge that matters in the end is the people who watch it on TV or pay their hard earned money at the box office or purchase what is being shown on commercials. YOU!

Q:  SD, what is the easiest thing to wright and what’s the hardest?

A:  And, here comes the snide remarks (but true). The easiest thing(s) to write is whatever I’m in an emotional mood to express. The flow (including happy surprises) of words come with little effort because I am emotional In-tune with whatever subject I’m writing. It’s like your imagination is on autopilot and you are the camera and microphone recording everything in front of you. all the surroundings, characters their expressions, their feeling, and every word they say to each other and to themselves. The hardest thing to write is anything I have to force myself to experience. If there is a scene in a story line that is important to the plot and yet it will be disturbing to imagine every last possible detail involved… Well, you get the picture. The other hardest thing is stopping and starting. Once you’re in the zone (so-to-speak) and you have to stop for whatever reason, sometimes it’s hard to get started once again. We are not talking about writer’s block. That problem starts when you begin and not when you had  already begun.
 

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